![]() ![]() Or a folder for each camera – whether you call it A and B-camera, or the name of the camera model. For example, you could create a folder for each day during the shoot. How do you do that? It’s easy, you just need to create a system and then stick to it. If you’re only using one camera on one media card, you could simply import everything into your NLE straight off the card, and call it a day.īut if you’re using multiple cameras, footage from different shoots, a variety of source material, or you prefer to backup your media to a drive first – before importing into your NLE – then you’ll want to consider organizing your footage at the file/folder level. Organize with foldersīefore you can start to lay down a story with reckless teenage abandon, you at least need to figure out an approach to importing or ingesting your footage. For more complicated edits, this approach can quickly become a nuisance as you have to keep going back through your rough footage to find usable clips. We’ve all been there, so there’s no shame in the unorganized editing workflow if it makes sense for the project. This style of editing is becoming more the norm, thanks to some advances in video editing hardware and software. In the MZed course The Definitive Guide to DaVinci Resolve by Ollie Kenchington, there is a lesson that specifically illustrates how the whole new “Cut Page” is specifically designed for this type of quick and dirty rough cut editing. Screengrab from The Definitive Guide to DaVinci Resolve course by Ollie Kenchington / MZed But this way you’ve arrived at a rough edit very quickly, and now you can spend time finessing the final edit. They will likely suggest specific clips to replace the footage you’ve selected anyway. If you’re happy with the rough cut, export and call it “v1”, and send it off to the client. When you have a good first cut, you can go back and look for better clips to replace the first round of clips. So all you would need to find is maybe 10 decent shots, create a super rough cut with the right vibe and pacing, and plan to improve the video with further iterations. So why take the time to organize or categorize your footage, when it might be more efficient to start editing right away?įor example, you may have 10 hours of footage, but you’re tasked with editing a 30 second simple promo. You’re on a tight deadline, you’ve either got not enough footage or way too much, and the final product is only going to be a short video anyway. In all seriousness, there are certainly times when the no-organization approach makes sense. It might feel really good at the time, but eventually your head is going to hurt. This is the equivalent of riding a motorcycle without a helmet. So without further ado, here are five approaches to a video editing organization workflow. There are many ways to organize interview footage and voice over in a project that involves an audio story, such as transcription, writing a paper edit, and building a radio edit… but we’ll save that for another discussion. (If only you can find that one clip you recall seeing.)įor this article, we’ll focus on a hypothetical visual project, like a music video, commercial, or promo. You save a lot of time at the beginning, but you’ll also be going back to the source footage over and over again, skimming through the junk repeatedly as you look for those little gems that would fit perfectly in your rough cut. Image credit: MZedĪlternatively, you could skip the preparation process altogether, and choose to dive right into editing the story. It’s sort of like mixing all your paints in advance, creating the perfect palette, and then diving into a purely artistic state of creation. That way, when it comes to laying down your edit, your creative juices can flow unencumbered. Prep workįor example, you could choose to exert a lot of effort at the beginning of the workflow, by organizing and categorizing your media, filtering out your highlights or selects, and ensuring that all your clips are prepared. And in some ways, the clip organization workflow will have a major impact on the rest of your edit, how much time it takes, and whether the process is enjoyable or frustrating. But before you can get the show on the road, you will first have to start with your media or file organization process. Which approach suits you the best?Īs you embark on a video editing project, you are at the beginning of a long journey of editing decisions. Here are five different styles of workflows that you can use in any NLE. Media management and organizing footage are essential to video editing.
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